Showing Results for “Assassin's Creed”

This is a VR action-adventure game in which players assume the role of a hacker embodying the memories of assassins. From a first-person perspective, players explore open-world environments, perform missions, and use stealth to discreetly kill human targets. Players use swords, axes, knives, and arrows to kill enemies (e.g., soldiers, guards, targets) in melee-style combat. Combat is highlighted by impact sounds, cries of pain, and small blood-splatter effects. One mission's failure scenario can result in a prisoner being hanged. The word “sh*t” appears in the game.

This is an action-adventure game in which players assume the role of a thief/assassin battling a secret order in ancient Baghdad. Players explore open-world environments while performing missions (e.g., searching for items, battling enemies) and using stealth to kill human targets. Players use swords, daggers, arrows, and a concealed blade to kill soldiers, guards, and boss characters in frenetic melee-style combat. Fights are highlighted by screams of pain and frequent blood-splatter effects. Cutscenes also depict instances of violence: a bound prisoner stabbed slowly through the chest; a victim assassinated by hanging. One sequence depicts a decapitated horse's head. The game contains brief references to opium. The words “f**k” and “sh*t” appear in the game.

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This is a collection of three action-adventure games following the story of Desmond Miles as he relives parts of his ancestors' lives. As Ezio, players must find, stalk, and kill enemies by using a variety of weapons (e.g., daggers, concealed blades, crossbows, gun-like artillery) and stealth tactics. Players can also engage in brawls or sword fights with various soldiers. Blood-splatter effects occur frequently when characters are injured; blood stains sometimes appear on streets and/or characters' clothing. Some sequences depict close-ups of characters getting stabbed; enemies are occasionally impaled in slow-motion. The collected games contain some sexual material: one cutscene depicts a man and a woman (stripped to her underwear) kissing and caressing each other in bed; during a seduction mini-game, players follow on-screen button prompts to kiss a woman and remove her dress before the characters fall into bed. The words “f**k” and “sh*t” appear in the dialogue.

This is an action-adventure game in which players follow the story of Egyptian assassins (Bayek and Aya of Siwa) tasked with taking down a secret order that threatens Cleopatra's power. As players explore open-world Egyptian, Greek, and Roman environments they undertake missions to find, stalk, and kill human enemies. Players use swords, arrows, concealed blades, and spears to assassinate targets and kill enemies in frenetic melee-style combat. Some cutscenes also depict intense acts of violence: a man beaten to death with an orb; a child getting stabbed. Assassinations and fights are highlighted by cries of pain and large blood-splatter effects. One sequence depicts human body parts and blood in a cave; another scene briefly depicts a headless corpse impaled on a stake. The game includes a mission involving prostitutes and a brothel in which a couple can be partially observed having sex (i.e., moaning sounds). Female characters are sometimes depicted topless in the brothel; some rooms contain drawings of figures engaged in various sex acts. During the course of the game, a character briefly mentions an opium pipe. The player's character is depicted drinking alcohol during a sequence of cutscenes; after a time, players must walk and engage in a fistfight while the screen and controls are impaired. The words “f**k,” “sh*t,” and “c*nt” appear in the dialogue.

This is an action-adventure game in which players assume the role of a Viking mercenary (Eivor) who travels through England to forge alliances, lead raids, and defeat rival clans/rulers. Players explore open-world environments, perform missions (e.g., hunting for items, battling enemies), and use stealth to discreetly kill human targets. Players also use swords, axes, arrows, and siege weapons to kill multiple enemies (e.g., soldiers, mythic boss characters) in frenetic melee-style combat. Combat is highlighted by screams of pain and frequent blood-splatter effects. Some weapons allow players to decapitate enemies; zoomed-in sequences depict victims' bones, organs, and muscles getting damaged by players' blade. The game contains some sexual material: a mission taking place in a brothel; topless women straddling men; a character agreeing to “lay with” a man (kissing is depicted before the scene fades to black). A handful of sequences depict screen distortion/discoloration and impaired movements after players' character consumes mushrooms or inhales mushroom-based fumes (dialogue states, “I may still be buzzing from these mushrooms."). Players' character can also engage in a drinking contests; later sequences depict the character stumbling as the screen tilts and blurs. The words “f**k” and “c*nt” appear in the dialogue.

This is an action-adventure game in which players assume the role of Desmond, an assassin who must revisit the lives of his ancestors during the American Revolutionary War. Most missions require players to find, stalk, and kill enemies with a variety of weapons (e.g., muskets, handguns, bayonets, tomahawks). Players can also engage in swordfights with armed soldiers, resulting in depictions of impaled characters and occasional slow-motion effects; large blood splashes appear when enemies are injured. Cinematic cutscenes depict additional blood splatter on characters' bodies and/or clothing, along with more intense acts of violence: an unarmed prisoner getting his throat slit; a man getting shot in the head at close range; a man getting bludgeoned in the head with a cleaver. The dialogue contains a variety of sexual material/innuendo: “King Louis filled the place with whores to keep his men from turning tail,” “[H]ere you are banging my sister behind my back,” “Don't flog the bishop again, lads,” “[T]hey spend 20 minutes simulating . . . sex and walk off with millions.” The game also contains the words “f**k” and “sh*t.” (spoken in both English and French).

This is an action-adventure game in which players assume the role of an assassin facing conflicts in his brotherhood. Players explore open-world environments, travel to various ports, and engage in combat against European naval vessels. Players use concealed blades, firearms, swords, and explosives to kill human enemies. Players can also employ stealth kills (e.g., sneaking up and stabbing enemies from behind or dropping from above). Large blood splashes often appear when characters are attacked. Some sequences depict characters being shot in the head, with brief slow-motion effects, or civilians being impaled by bladed weapons—though killing civilians will raise the bounty on the player's character. The words “f**k” and “sh*t” appear in the dialogue.

This is an action-adventure game in which players assume the role of Alexios or Kassandra, mercenaries on a quest for vengeance. As players explore an open-world environment in Ancient Greece, they interact with characters, infiltrate enemy bases and strongholds, and kill human enemies. Players use swords, spears, and bows to kill enemy soldiers and bandits in melee-style combat. Players also use stealth attacks (e.g., knife stabbing) to dispatch enemies discreetly. Large blood-splatter effects occur as enemies are killed. A handful of cutscenes depict more intense acts of violence and/or gore: characters stabbed through the head/neck with bladed weapons; young characters thrown off a cliff; a man mauled by a mob as his arm gets thrown into the air. Some environments depict severed limbs and dismembered corpses on the ground. The game contains instances of sexual material: characters kissing and caressing before the screen fades to black (sex is implied though never shown); dialogue referencing sex and prostitution (e.g., “Anything goes in this sex andron”; “That is love, this is commerce. What are you into?”); a character hearing sexual moaning sounds behind a door. The words “f**k” and “sh*t” are heard in the game.

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